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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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Expanding Conducting Practice through Posthuman Assemblage and Artificial Intelligence
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The Double Bass as Algorithmic Improvisation System
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Echoes of Heritage: Intercultural music exchange through network music co-creation
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Arbitrary Intelligence: Imperceptible Forms and Extended Musical Coherence in Computer Music
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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Intuitive Composing in Jazz: Integrating Embodiment and Technology in the Compositional Process
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Ghostly Dramaturgies: Staging Migrant Narratives through Immersive Technology in Performance
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Entangled Rawness: navigating nonlinear creativity through the no-input mixer
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PercAI: A Generative AI Model for the West African Balafon Polyrhythm
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ECHO - Embodied Counterpoint & Human-Machine Ontology. An exploration of AI training in piano performance and pedagogy
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Resonances between Movement/Dance and Contemporary Music: Transdisciplinary Interpretation Techniques and Methods
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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The instrument(alist) maker: shaping artistic identities through instrument modification.
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From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis
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The Voice of Many Waters: Acoustemopoetic Composition of Carmelite Mysticism
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ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren
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FANTASIA
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Calling songs
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Designing Digital Tools for Musical Improvisation: Live Electronics as a Vessel for Improvisatory Acousmatic Music
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Encounters. Today’s music performance scene as a space of social and phygital interaction
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AI Musicking: Innovative Approaches to Musical Co-creation through Machine Learning
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Hybrid Score
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Creating the Artistic Identity
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