-
The Book of Giants: The Author as Curator between Divine and Artificial Agency
-
TAQSIM / تقسيم taqsīm istihlalī - a comparative study of improvised preludes in European and Middle Eastern musical traditions
-
E̶a̶r̶l̶y̶ ̶M̶u̶s̶i̶c̶ / Rew̶o̶r̶k̶ing Performance
-
RAMEAU(x) — Improvising New Branches of Rameau’s music
-
Reviving Nicolas Gombert (c. 1495–c. 1560): Style, Context, and Performance
-
Guidelines for Keyboard Continuo Playing in 18th-Century Germany — An Online Platform Based on Historical Sources
-
THE HISTORICALLY CURIOUS GUITARIST. Early music performance practices applied to contemporary fingerstyle
-
Smashing the Myth of Absence: A Practice-Based Approach to Decolonizing Experimental Music – part 1: Composition and Improvisation in the ‘Creative Orchestra’
-
E̶a̶r̶l̶y̶ ̶M̶u̶s̶i̶c̶: A contemporary perspective on repertoire and interpretation
-
Dramaturgies of Withdrawal: On Gestures of Refusal in Search of More Nourishing Artistic and Institutional Practices
-
Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
-
Meander: a field study in ecological writing
-
Performing Mesopotamian Magic
-
The instrument(alist) maker: shaping artistic identities through instrument modification.
-
Words out of tune. Collective practices of vocal improvisation
-
From Stage to Page: An Experimental, Performance-led examination of the relationship between Musical Performance and Musical Analysis
-
Analogy and the Erotics of Interpretation
-
The Possibilities of a Creative Orchestra
-
Theatre with the elderly – never too old to make a scene
-
Fair Games: Questions of Care in Curating New Music
-
FANTASIA
-
Pamphilus pamfilet pamflet
-
Cripping the stage: from crip theory to crip practice
-
A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition
Enrol
-
Fast registration:
-
Fast registration:
Cultural work
-
EVENTS / PROJECTS / PUBLICATIONS