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Vivid Tales
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Silence… A Critical Interpretation and Realization of the Unfinished Works of Wim Henderickx.
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Smashing the Myth of Absence: A Practice-Based Approach to Decolonizing Experimental Music – part 1: Composition and Improvisation in the ‘Creative Orchestra’
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Personal Bubble
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Otolitalgia: a visual exploration in the furrows of time
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Landscapes of Recovery: The Role of Art in Ecological Restoration in War-Torn Ukraine
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Guidelines for Keyboard Continuo Playing in 18th-Century Germany — An Online Platform Based on Historical Sources
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Gestures of withdrawal: dramaturgies of refusal in performing arts
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God Save the Queer(s)
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Crossroads in Creative Aging
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Performing the Public Body: Collectively Authored Participatory Performance, Democracy and Institutional Politics
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PercAI: A Generative AI Model for the West African Balafon Polyrhythm
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Harlequin. Karel Albert, August Baeyens, Paul van Ostaijen and musical modernism in Flanders (1918-1928)
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The Sentimental Affirmation Summit. Paul van Ostaijen and musical modernism 1914-1930
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Parijse kopie of zelfstandige school? De Belgische Fluitopleiding vóór de belle époque.
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Performing Mesopotamian Magic
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Poetic encounter with the digital shadow: empathy and intersubjectivity in electroacoustic duo improvisations
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Whispers of the Primeval Forest
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How the villain became a good example
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The Flemish Wave Revisited: Towards an intergenerational dialogue with dance heritage
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Meander: a field study in ecological writing
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Glimpses of elsewhere in the songs by Raymond Moulaert (1875-1962)
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theatrical co-creation with young people : from intuitive practice to shareable methodology
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The instrument(alist) maker: shaping artistic identities through instrument modification.
Cultural work
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