Research projects

Tomorrow’s music in practice today: a guide to contemporary informed performance practice (CIPP)

Parnassus

'Aux morts pour la patrie'. The war music of Emile Wambach (1854-1924)

‘Souvenir de Malibran' The edition and valorization of a forgotten cantata

Traces of Expressivity: conception of a high-level hybrid score in music-based interdisciplinary works

‘Save the pianola!' From role to midi: the pianola as historical document and contemporary instrument

‘NOTUS’?
 A research project on the music-pedagogical innovations of NOTUS, a fully-fledged alternative to conventional music notation

Pop-up podia: developing site-specific compositions with live electronics

Groenten uit Vlaanderen. From the fall of Artevelde to Malcolm X. A history of Flemish theater literature since 1945.

Sonore continuum - A look at Intermedial instumental theater by Lucien Goethals

Style, sound and vocal tract configuration in Vocal Jazz

L’homme. Les sons. Faithful to what?

“For Horses, Not Artists”: Artistic–educational Vision, Value, and Standards of the B-Jazz International Contest, 1979–2019.

Untransparability as an engine for artistic creation - Macbeth

Artificial extensions of acoustics in music practice

Representation of female activists, the female body in resistance in the MENA region

The four traditions of mandolin music in Greece

The ecology of joy

Belgian symbolism in the art song

Synaesthesia and Sound-colour Associations as An Interdisciplinary Metaphor

‘Common Grounds’ research into contemporary interdisciplinary practices in Higher Art Education

Melodic Movement - Polyphonic Prayers, A case study on the process and performance of Karlheinz Stockhausen’s Inori.

SAX V2.0

Mantle of the expert

Fenaroli's legacy

In search of aural cinema

The Conservatoire of Antwerp and the early music movement

‘VLAAMSE VLEUGELS’

EMRUZ | TODAY - New music from Iran and the iranian diaspora

NO [MORE] PUSSYFOOTING

The readability of non-normative body images

Present time composition

Submerging the text

L’étranger

The sources of the theatrical self

JAMMING À LA FIN DU XVIIIIÈME SIÈCLE

WHEN FACT IS FICTION

The actor of today and tomorrow

Het drama van het drama

Labo inclusion dance

Composition on location

An Equal Music

Measurability motion quality of performers

The role of vocabulary in contemporary dance

The festival of classes

Chamber music

ELECTRONICS ON STAGE

Jack Sels (1922-1970): 'The white negro of the docks'

Pierre Suremont (1762-1831): a forgotten composer from Antwerp

Talk to me: feminine conversations between body, costume and movement

Painting in sounds

The voice as instrument / the instrument as voice

‘Blanton the (r)evolutionary’: A contextualization of Jimmie Blanton’s Jazz Bass playing

De hiel van Kuifje

Endlich etwas wirklich neues

Inventing New Marimba Performance from the West African Balafon Music Practice

Dance Making: Exploring Through Reflective and Bodily Experiences

Towards a theory of musical texture

The auditive imagination

Arpeggio in baroque piano literature

So prettly prattly pollylogue. James Joyce and the art of...

From Ninette to tavern princess

Ten oorlog!

Elizabeth and Albert

Traditional culture in new art music creation

Naughty Kids. Punk and the disruptive figuration around the Academy 1978-./.-2018

Language study 0-3 year olds

New ways of visual encounter. Reading the streets. Sharing the stories

Wagner in Antwerp

Methodology dance education

Forgotten Flemish repertoire

From reproduction to narration

Monkey King, Silkworms and Sand Boats

Concept:graff

Relevance of Ibsen

Artaserse

Of flesh and blood

Cadenza

Otlet salons

Music as living language

Vlaemsch-Duits Zangverbond

Chamber music of Paolo Litta

Horn plays

Musical creation children

From zero to void

Inventing new marimba techniques

Curriccula conservatoria

Charles Duquesnoy

World premier recording Lorenzo Weckbacher

Ballet music Hanssens

Movement training

Overuse injuries stage artists

Biological acting

Readability of the body

Physicality in the post-war repertoire for solo guitar

Context & perception in theatre

Speech and words

Memoirs Peter Welffens

Imaging research

Linguistic musicality

Theater pedagogy

Partisans of the Real

The Color in Shadow, a research into the subtle qualities of resonances in spaces between things

LIVING IN COLOR. On the border between interior architecture and visual arts in Antwerp

Second Shelf

LABORATORY, the legacy of Lynne Cohen (1944-2014)

The performative role of jewellery: A dialogue between the piece and the wearer

Sculpture as a flexible ephemerity

Musical interpretation from the pragmaticism of Peirce

Six Degrees of Image Creation

Jacques-Nicolas Lemmens: life and work of a Belgian organist, seen from the 19th century organ practice

I’ve Never Been Big Sick

Differences and similarities in visual language through teaching practices in Hoboken and Oujda

The sacral space of an action

A study of movement in marimba playing

The status of the object: ritual object or artistic artifact?

A contextual, text-critical analysis of Johann Sebastian Bach's Art of Fugue: Reflections on Performance Practice and Text-critical Analysis, and the Interaction Between Them

Music and the Body – Movement and Gestures in Composition and Performance for Computer Music and Interactive Media

Historical performance practice of post-war avant-garde music for guitar: documenting practical performer/composer/score relations

Maddalena. Music-scientific and artistic study of historical and stylistic backgrounds in the Russian operas of Sergei Prokoview and the importance of Maddalena as a preliminary study for The Gambler and the Fiery Angel

Silent sisters / stille Schwestern

Belgian Platform for Photobooks

Grasping the invisible: Sun Data.

GrowingGifs #drawing in motion

No time

Viewpoints in the peripheral

Crush and generate

Making public domain

Fingertip or hand?

Disrupted narratives

Making waves

How to hunt with the camera

The photographic metamorphosis

Figures@stage

Archive alive

Multiple practices

Resurrection of the darlings

The thinking eye

The boot and the face

Flat photography

Conceptual urban art

The uncomfortable environment

The skin of sculpture

Opus V

Read read read

The poetics of pointillism

Photo archive Mayer van den Bergh

Oeuvre Panamarenko

Formation need Visual Arts

Reactions art works

Curating Conflict Photos

HOLOSCULPTURE

Beyond analogue and digital

(THIS IS NOT) A BOOK

Paul De Vree

Sustainable digital archiving (AAA)

ANTI-VOS

BIOFIX

Representation female activists

Social media and artistic research

The Knight’s Tour

Mobile autonomy

Dutch Mordant

DABNAP

Antwerp art scenes in the 50s and 60s

Belgium is happening

The art of seeing

Per Forza di Levare

Design as a Cultural Communicator

Partisans of the real (PhD)

Photography as a learning tool

Beyond The Barricades

Fringe Creativity

Oral performance of visual poetry

The Artist Job Description

Topographic resonances

Mastering the Curtains

In Public, In Particular (IPIP)

Hugo Roelandt Research Project

Returning the Gaze

Adieu

Other Bodies

Building garments

Simple present

Lifestyle supermarket

Resumed encounters

Het kijkbeeld

THE BORROWED GAZE - in dialogue with time

Humor & art

New conversations

Figurative Painting

The Skull Within

Influence on theater profiles and disciplines in Antwerp

Multiperspectivity in the museum

Fenaroli’s pedagogical output

HPSCHD: New music for harpsichord

ArtInAD

Redefining the Conductor’s Role in New Music

Audiation-based Learning

MoE 2.0 - MANTLE OF THE EXPERT

The music of Anthony Braxton

#DramaQueen

Er staat een contrabas in de gang

Possible spaces

Drawing marathon

Informed Phrasing

Choreographing Potentialities of Collectivity

A Journey Through The Phonetic Possibilities Of The Flute

Een nyeu liedeken

Physical Awareness

The choreography of the ritual

Archiving Artistic Anxieties

Sonic Silhouettes, Musical Movement

Butterflies Are a Sign of a Good Thing

Off Camera

The Unruly Apparatus

In ons dorp is het altijd rustig

A study of Applied Tai Chi Movements in Marimba Playing

The book as a beacon?

Becoming a space

TIME IS A BOOK (IS TIME)

Techniques of Resonance

People of the 21st century

Neem plechtig uw hoofd af! Dank u.

The Craft of Friction

The Female Body and Protest in the Middle East

Re: Art History Room

GrowingGifs 2.0

So here we are. Een onderzoek naar de sacrale ruimte van de handeling.

One's heart on one's sleeve: textile narratives from the city

MULTIPLE PRACTICES. The editions of Guillaume Bijl / part II

Bodies Of Knowledge

‘La flandre galante’: de vioolsonates van de Croes, Kennis en van Maldere

Van ‘ventielbazuin’ tot ‘schuiftrombone’ tussen Parijs en Leipzig

‘La baronne compose’: liederen en kamermuziek van barones Jacqueline Fontyn