-
Hydromedia
-
Urban Travel Machines
-
ANY BODY, MY SELF: CONCEPTUAL ART AND PERSONHOOD
-
Conditions for Raw Materials
-
Tragedy and Levity: A Reconstructive Approach
-
Creating the Artistic Identity
-
Play(s) of Féminitude. The role of female artists in Belgian theatre history 1830-1948
-
Pas(s) Time
-
When the artist swallows his image
-
Moving towards Resilience: Joint creation through music and movement for local, refugee and immigrant children
-
Cognitive Making. The recreation of procedures in the field of jewellery and gemstone cutting
-
A Database of Schemata As a Starting Point For Historically Informed Improvisation and Composition
-
Temporary Sonic Architecture
-
The European Quartet of Keith Jarrett. The Journey Home
-
Friction & Tension: Weaving With Choreography’s Troubles
-
What I’m talking about when I’m talking about narrativity.
-
Paris copy or independent school? Exploring the Belgian flute school in the Belle Époque.
-
Pamphilus pamfilet pamflet
-
TRAUM (dream) + RAUM (space) = TRAUMA
-
The sympoiesis garden, ecology and art in a participative garden.
-
‘The roaring twenties’: origin and evolution of music modernism in the 1920s in Antwerp
-
WE GROW MUSIC! Ecologies of attention, discrepancy and multiplicity—real and imaginary—in embodied music performance
-
Noorderlicht 2022
-
De Woensdagen