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Tomorrow’s music in practice today: a guide to contemporary informed performance practice (CIPP)
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Parnassus
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'Aux morts pour la patrie'. The war music of Emile Wambach (1854-1924)
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‘Souvenir de Malibran' The edition and valorization of a forgotten cantata
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Traces of Expressivity: conception of a high-level hybrid score in music-based interdisciplinary works
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‘Save the pianola!' From role to midi: the pianola as historical document and contemporary instrument
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‘NOTUS’? A research project on the music-pedagogical innovations of NOTUS, a fully-fledged alternative to conventional music notation
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Pop-up podia: developing site-specific compositions with live electronics
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Groenten uit Vlaanderen. From the fall of Artevelde to Malcolm X. A history of Flemish theater literature since 1945.
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Sonore continuum - A look at Intermedial instumental theater by Lucien Goethals
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Style, sound and vocal tract configuration in Vocal Jazz
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L’homme. Les sons. Faithful to what?
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“For Horses, Not Artists”: Artistic–educational Vision, Value, and Standards of the B-Jazz International Contest, 1979–2019.
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Untransparability as an engine for artistic creation - Macbeth
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Artificial extensions of acoustics in music practice
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Representation of female activists, the female body in resistance in the MENA region
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The four traditions of mandolin music in Greece
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The ecology of joy
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Belgian symbolism in the art song
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Synaesthesia and Sound-colour Associations as An Interdisciplinary Metaphor
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‘Common Grounds’ research into contemporary interdisciplinary practices in Higher Art Education
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Melodic Movement - Polyphonic Prayers, A case study on the process and performance of Karlheinz Stockhausen’s Inori.
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SAX V2.0
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Mantle of the expert
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Fenaroli's legacy
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In search of aural cinema
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The Conservatoire of Antwerp and the early music movement
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‘VLAAMSE VLEUGELS’
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EMRUZ | TODAY - New music from Iran and the iranian diaspora
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NO [MORE] PUSSYFOOTING
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The readability of non-normative body images
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Present time composition
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Submerging the text
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L’étranger
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The sources of the theatrical self
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JAMMING À LA FIN DU XVIIIIÈME SIÈCLE
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WHEN FACT IS FICTION
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The actor of today and tomorrow
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Het drama van het drama
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Labo inclusion dance
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Composition on location
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An Equal Music
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Measurability motion quality of performers
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The role of vocabulary in contemporary dance
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The festival of classes
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Chamber music
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ELECTRONICS ON STAGE
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Jack Sels (1922-1970): 'The white negro of the docks'
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Pierre Suremont (1762-1831): a forgotten composer from Antwerp
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Talk to me: feminine conversations between body, costume and movement
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Painting in sounds
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The voice as instrument / the instrument as voice
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‘Blanton the (r)evolutionary’: A contextualization of Jimmie Blanton’s Jazz Bass playing
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De hiel van Kuifje
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Endlich etwas wirklich neues
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A ‘re- communion’ of the modern marimba and the ethnic idiophone—through transcribing the West African balafon music to the modern marimba
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Dance Making: Exploring Through Reflective and Bodily Experiences
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Towards a theory of musical texture
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The auditive imagination
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Arpeggio in baroque piano literature
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So prettly prattly pollylogue. James Joyce and the art of...
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From Ninette to tavern princess
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Ten oorlog!
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Elizabeth and Albert
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Traditional culture in new art music creation
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Naughty Kids. Punk and the disruptive figuration around the Academy 1978-./.-2018
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Language study 0-3 year olds
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New ways of visual encounter. Reading the streets. Sharing the stories
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Wagner in Antwerp
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Methodology dance education
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Forgotten Flemish repertoire
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From reproduction to narration
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Monkey King, Silkworms and Sand Boats
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Concept:graff
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Relevance of Ibsen
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Artaserse
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Of flesh and blood
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Cadenza
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Otlet salons
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Music as living language
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Vlaemsch-Duits Zangverbond
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Chamber music of Paolo Litta
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Horn plays
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Musical creation children
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From zero to void
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Inventing new marimba techniques
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Curriccula conservatoria
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Charles Duquesnoy
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World premier recording Lorenzo Weckbacher
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Ballet music Hanssens
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Movement training
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Overuse injuries stage artists
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Biological acting
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Readability of the body
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Physicality in the post-war repertoire for solo guitar
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Context & perception in theatre
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Speech and words
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Memoirs Peter Welffens
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Imaging research
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Linguistic musicality
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Theater pedagogy
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Partisans of the Real
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The Color in Shadow, a research into the subtle qualities of resonances in spaces between things
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LIVING IN COLOR. On the border between interior architecture and visual arts in Antwerp
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Second Shelf
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LABORATORY, the legacy of Lynne Cohen (1944-2014)
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The performative role of jewellery: A dialogue between the piece and the wearer
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Sculpture as a flexible ephemerity
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Musical interpretation from the pragmaticism of Peirce
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Six Degrees of Image Creation
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Jacques-Nicolas Lemmens: life and work of a Belgian organist, seen from the 19th century organ practice
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I’ve Never Been Big Sick
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Differences and similarities in visual language through teaching practices in Hoboken and Oujda
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The sacral space of an action
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A study of movement in marimba playing
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The status of the object: ritual object or artistic artifact?
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A contextual, text-critical analysis of Johann Sebastian Bach's Art of Fugue: Reflections on Performance Practice and Text-critical Analysis, and the Interaction Between Them
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Music and the Body – Movement and Gestures in Composition and Performance for Computer Music and Interactive Media
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Historical performance practice of post-war avant-garde music for guitar: documenting practical performer/composer/score relations
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Maddalena. Music-scientific and artistic study of historical and stylistic backgrounds in the Russian operas of Sergei Prokoview and the importance of Maddalena as a preliminary study for The Gambler and the Fiery Angel
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Silent sisters / stille Schwestern
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Belgian Platform for Photobooks
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Grasping the invisible: Sun Data.
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GrowingGifs #drawing in motion
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No time
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Viewpoints in the peripheral
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Crush and generate
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Making public domain
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Fingertip or hand?
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Disrupted narratives
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Making waves
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How to hunt with the camera
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The photographic metamorphosis
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Figures@stage
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Archive alive
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Multiple practices
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Resurrection of the darlings
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The thinking eye
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The boot and the face
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Flat photography
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Conceptual urban art
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The uncomfortable environment
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The skin of sculpture
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Opus V
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Read read read
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The poetics of pointillism
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Photo archive Mayer van den Bergh
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Oeuvre Panamarenko
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Formation need Visual Arts
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Reactions art works
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Curating Conflict Photos
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HOLOSCULPTURE
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Beyond analogue and digital
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(THIS IS NOT) A BOOK
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Paul De Vree
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Sustainable digital archiving (AAA)
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ANTI-VOS
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BIOFIX
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Representation female activists
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Social media and artistic research
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The Knight’s Tour
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Mobile autonomy
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Dutch Mordant
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DABNAP
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Antwerp art scenes in the 50s and 60s
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Belgium is happening
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The art of seeing
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Per Forza di Levare
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Design as a Cultural Communicator
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Partisans of the real (PhD)
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Photography as a learning tool
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Beyond The Barricades
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Fringe Creativity
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Oral performance of visual poetry
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The Artist Job Description
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Topographic resonances
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Mastering the Curtains
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In Public, In Particular (IPIP)
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Hugo Roelandt Research Project
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Returning the Gaze
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Adieu
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Other Bodies
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Building garments
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Simple present
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Lifestyle supermarket
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Resumed encounters
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Het kijkbeeld
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THE BORROWED GAZE - in dialogue with time
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Humor & art
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New conversations
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Figurative Painting
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The Skull Within
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Influence on theater profiles and disciplines in Antwerp
Cultural work
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Events/ Exhibitions / Projects
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Infrastructure for cultural work
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Events/ Projects / Publications
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