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    Singing the Cello - vocality as a principle of Romantic instrumental playing in Schumann’s work

    Witches, Bitches and the Scene Female villainy – stage strategies to perform gender and morality

    Auto-Destructive Composition: Erasure and Remains in Transient Posthuman Musics

    The Airwaves as an Experimental Space: (From) the Archives of Radio Centraal (1980–Present)

    Quantum Crossing

    Expanding Conducting Practice through Posthuman Assemblage and Artificial Intelligence

    ECLIPS

    The Technological Republic

    rewind / remind / rewrite

    When entering a foreign place, can eating and digestion become a way of belonging?

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