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The Double Bass as Algorithmic Improvisation System
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Drawing Out: Marks, Machines, Material Worlds
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When entering a foreign place, can eating and digestion become a way of belonging?
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'Translating theory into theater: overflow of content shaping forms not yet born'
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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Visual Artefacts (Carte du Ciel)
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Witches, Bitches and the Scene (Vrouwelijke schurkerij – podiumstrategieën om gender en moraliteit te performen)
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Flute concertos of Benoit and Hanssens in the spotlight
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Guitar songs and the 19th century popular music culture
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If a Forest Could Take Its Own Portrait: Regenerative Image-Making in the Paraná Rainforest
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TAQSIM / تقسيم taqsīm istihlalī - a comparative study of improvised preludes in European and Middle Eastern musical traditions
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To (be)come: Theatrical co-creation empowering the voice of adolescents
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Electric Bodies: The infrastructures of medicine and technology
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rewind / remind / rewrite
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ECLIPS
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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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Fields Without Soil (Animal Letters from Liquid Agriculture)
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From Desire to Application Form: Dramaturgies of Justification in Contemporary Creation
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Brakke Praktijken: Sociale Organisatie in het Schelde Estuarium
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“Prix de l’image:” A Speculative Reenactment of the (Para)cinematic Imaginary
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Tam-Tam, de tumultueuze en muzikale geboorte van het surrealisme 1924-1936
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Object-Oriented Choreographies: Rethinking Agency and Materiality in Dance
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LIMEN: Signal Ecologies and Hybrid Actors in Dead-Zone Territories
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The Technological Republic
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