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The Double Bass as Algorithmic Improvisation System
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Drawing Out: Marks, Machines, Material Worlds
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When entering a foreign place, can eating and digestion become a way of belonging?
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'Translating theory into theater: overflow of content shaping forms not yet born'
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De ether als experimentele ruimte: (Uit) de archieven van Radio Centraal (1980-vandaag)
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The Book of Giants: The Author as Curator between Divine and Artificial Agency
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RAMEAU(x) — Improvising New Branches of Rameau’s music
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Visual Artefacts (Carte du Ciel)
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Witches, Bitches and the Scene (Vrouwelijke schurkerij – podiumstrategieën om gender en moraliteit te performen)
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Flute concertos of Benoit and Hanssens in the spotlight
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Guitar songs and the 19th century popular music culture
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If a Forest Could Take Its Own Portrait: Regenerative Image-Making in the Paraná Rainforest
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TAQSIM / تقسيم taqsīm istihlalī - a comparative study of improvised preludes in European and Middle Eastern musical traditions
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BYE-CERTAINTY: (Rehearsing) Choreographies for Shifting Bodies in Transitional Ecologies
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In dialoog met sonische emergentie: cybernetica, generatieve AI en gedistribueerde agency in posthumane muziek
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To be(come): Theatrical co-creation empowering the voice of adolescents
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Electric Bodies: The infrastructures of medicine and technology
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rewind / remind / rewrite
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ECLIPS
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Auto-Destructieve Compositie: Uitwissing en Overblijfselen in Vergankelijke Posthumane Muziek
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Sensing Together: Co-Creative Strategies for Multisensory Musical Composition with Sensory Impairment Communities
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I’ve Heard on Skipper Street: Exploring Lived and Imagined City Identities Through Voicescapes of Its Passers-by
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Fields Without Soil (Animal Letters from Liquid Agriculture)
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Un/Real bodies: An Exploration of Synthetic Embodiment
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