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HPSCHD - an introduction
In 1962, the Swiss harpsichordist and art collector Antoinette Vischer commissioned John Cage to write her a new composition for harpsichord. Cage though didn't really enjoy the sound of the instrument, "It sounded to me like a sewing machine".
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Johan Pas on CAGE & Co
Art historian and curator Johan Pas gives an overview of the Fluxus history and an intro to his talk during ARTICULATE on October 23rd.
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Els Dietvorst & Dirk Braeckman on Time/the afterlife
Visual artist Els Dietvorst and photographer Dirk Braeckman talk about the responsibility of artists to pay attention to the world, pleasant or otherwise, and how they incorporate this in their ARTICULATE-Masterclass.
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