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PAS DE DEUX
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ReSoXy: Re-sounding the xylophone collection of Royal Museum for Central Africa, Tervuren
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HARD TIMES GOOD TIMES - on discomfort, sublimation and movement
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The Chromatic Illusion within the Photographic Universe
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Encounters. Today’s music performance scene as a space of social and phygital interaction
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Between Old Habits and New Habitats
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Theatre with the elderly – never too old to make a scene
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Knitting the archive
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Making Sense
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Calling songs
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HARD TIMES GOOD TIMES - on discomfort, sublimation and movement
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Exe-xe-xercising feedback loops
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FANTASIA
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FAAM: Flemish Archive for Annotated Music
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Virtual Matter: Metamaterialisations of computational processes
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God Save The Queers – The (not so) secret life of Saints
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Sonifying Landscapes
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Problematizing Interdisciplinary Performance Through Noise
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The desirability of difference
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The Color of Language - The Language of Color (Abbreviated as CoLLoC)
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Designing Digital Tools for Musical Improvisation: Live Electronics as a Vessel for Improvisatory Acousmatic Music
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PRACTICE: A METAPHOR - Metaphorizing practices and practicing metaphors
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See What I Mean
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Benoit’s language