by Max Schweder
Visualization of sound is always interpretation, translation, transformation from one sense to another. Can we generalize this translation? Can we shorten the necessary steps that have to be taken? Or is the absolute subjective, artistic interpretation the key factor to make visuals tangible?
In a short Electronic-Concert-Performance Max Schweder will show the state of his research. Merging Procedural-Visuals with the input from a 3D Camera and Sound in realtime.
(Image: Akademie für Theater und Digitalität Dortmund)
>> This event was originally part of the cancelled ARTICULATE 2020 programme and will now take place in a slightly adapted, online form.