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To (be)come: Theatrical co-creation empowering the voice of adolescents
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'Translating theory into theater: overflow of content shaping forms not yet born'
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Object-Oriented Choreographies: Rethinking Agency and Materiality in Dance
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Witches, Bitches and the Scene (Vrouwelijke schurkerij – podiumstrategieën om gender en moraliteit te performen)
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From Desire to Application Form: Dramaturgies of Justification in Contemporary Creation
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Dramaturgies of Withdrawal: On Gestures of Refusal in Search of More Nourishing Artistic and Institutional Practices
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Teaching Artistry: dimensies van co-creatie
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Crossroads in Creative Aging
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Performing the Public Body: Collectively Authored Participatory Performance, Democracy and Institutional Politics
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De epistemologie van lucht – Muziek maken vanuit evoluerende perspectieven
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A Newer Narrative: Dancer´s Authorship through auto-fictional writing practice
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theatrale co-creatie met jongeren: van intuïtieve praktijk naar deelbare methodiek
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Hoe de schurk een goed voorbeeld werd
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The Flemish Wave Revisited: Towards an intergenerational dialogue with dance heritage
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Teaching artistry: acting locally, sharing globally
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The Maternal Body: moving as more than one
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Beyond gaze: Establishing the language of touch in applied drama
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Corpo-gambiarra: dance, costume and politics of the body
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Problematizing Interdisciplinary Performance Through Noise
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HARD TIMES GOOD TIMES - on discomfort, sublimation and movement
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Hyperwithin: a shy dramaturgy in shadowtimes
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Perspectives on time in the music by Stockhausen: the experience of a performer
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Creating the Artistic Identity
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Intersecting repertoire